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The Fortnight in September was a very brave book to write because it was not obviously ‘about’ anything except the ‘drama of the undramatic’
I don’t tell a soul I am leaving
A stunning scallop shell has been treated to a chalky finish rests on a mirrored polished brass asymmetrical back plate
One of a collection of sconces based around the quatrefoil shape
Shown in room upholstered in Polish Folk Dance fabric by Cesca Dvorak
ANIMALS BY REGTS DELFT TILES polish folk The Fortnight in September wasThis series features 28 hand painted scenes, each one directly copied from a set of 17th century reclaimed Delft tiles. There are 28 unique scenes depicting a wide variety of animals, such as dogs, horses, a leopard, sheep, a goat, a monkey, a bull and many more. These tiles bring a lively rhythm and timeless warmth to any space. Pinholes were part of the tile production process before 1860. A wooden board was used to stabilize the clay during
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